Lu Fang ying

Rosson Crow uses brushstrokes that seem out of control to interpret and understand architectural historical themes and spaces, with visually striking scenes of chaos and bright, bloody colours. She is fascinated by the complex relationship between modern-day America and mythology. The large canvas becomes a backdrop, a stage for the drama of desire, a spectacle of space in overabundance, the madness of excess, and the indulgence of violence, power, and ignorance. The viewer can go in and experience, and in a way become, a character in the work.